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John | 20th Sep 2010, 09:10 AM | HKDSE英文科校本評核(SBA) | (2897 Reads)

commentsreflections,當然會寫故事的內容,如要握要地寫整個故事關於甚麽,可以參考這些句子,黃色是你應根據你閱讀/觀賞的材料改動的部分:

1.          It is a short story about [name of protagonist], a [salesman/teen-model] who

2.          The story is narrated in the first person by the protagonist, [May], who [is traveling by train from Mainland China to Hong Kong in search of the loved ones she has lost contact with].

3.          The story is narrated in the first person by the protagonist, [June], who [is traveling by train from Hong Kong to Mainland China in search of her identity, her history, and answers to many questions tormenting(折磨)her]. 

你可能會談到故事結構:

1.          In the forepart of the novel, while in the latter part of the novel, 2.          In the forepart of the story, the facts about the protagonist’s [meanness] are used to show [the quality of protagonist’s life, and are narrated poignantly and sarcastically]; as the story progresses, they are used as food for [the protagonist’s own reflections] and form part of the [imagined transformation process narrated in the novel].Charles Dickens在他的名著Christmas Carol《聖誔頌歌》的確寫過一個孤寒財主,小說前半段寫他對別人和自己的刻薄,後半段寫他經過幾段奇幻旅程之後,覺悟了。) 

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故事的逼真程度:

3.          The facts in the story are so vivid and detailed as to make the fictional world accepted/real. (作到好似真架真樣!一般都係啦,好「百搭」) 

故事的意義:

4.          To the hero/heroine(主角)in [name of book], [activity A] is not simply [B]. It contains profound philosophic meaning. In addition, two details [C] and [D], like [activity A], symbolize [E]. They compensate and enrich the inner meaning of the main plot of the novel.(這段是你可以使用/改動的骨格,說的是故事的主線活動不單是活動那麽簡單,例如在《少林足球》、《功夫灌籃》或一些「跳舞戲」、「猜拳戲」中,「打波/跳舞/猜拳」這些活動不只是「打波/跳舞/猜拳」那麽簡單,還代表了某種人生奮鬥、真誠、運氣、出賣和不屈。另外,這裡也談及兩條支線,說支線用來豐富主線(通常都如此)。另外,我上幾篇文章不是說小說嗎?其實,你將上述各篇的措詞稍改,用於關於print non-fiction (非小說類)、non-print fiction (戲劇類)和non-print non-fiction (非戲劇類)讀後感的寫作是可以的

5.          現在給上段的骨格注入血肉:To the hero in The Life of Bruce Lee, [the practice of Chinese martial arts] is not simply [fighting methods]. It contains profound philosophic meaning. In addition, two details [the encounter with the monk] and [the dialogue about the moon], like [the practice of Chinese martial arts], symbolize [the contention in life]. They compensate and enrich the inner meaning of the main plot of the novel.(對《李小龍傳》的主人翁來說,練中國武術不單是練習格鬥方法,還具有深刻的哲學涵義。另外,作品中的兩條支線──和憎人的接觸以及有關月亮的對話,和對武術的練習一樣,象徵生命的奮爭。這兩條支線令小說的情節更豐富。

你也可能要將作者和作品聯繫:

6.          The novel is full of facts, most of which comes from the author’s own experiences.

7.          How [name of author] has formed such a writing style? The reason is related to his own experiences. His use of [A] and [B] are some of the traces of his early career as [C].(這是骨格,說的是作者如何會發展出某種風格,認為作者對AB的使用是早期做過C工作所遺留的影響。)

8.          現在給上段的骨格注入血肉:How [Mark Twain] has formed such a writing style? The reason is related to his own experiences. His [descriptions of boat trips in The Innocents Abroad]/His [travelogues] are some of the traces of his early career as [steamboat pilot].(馬克吐溫如何形成他的寫作風格的?這和他的個人經驗有關(當然和他的個人經驗有關,這真是百搭句,但你要找點事實支持論點),他在The Innocents Abroad《儍瓜出國記》)/他的遊記裡說的船上旅程,都帶着他早年汽船領航員生涯的痕跡。)

9.          How [Mark Twain] has formed such a writing style? The reason is related to his own experiences. His [keen wit and incisive satire, his use of vividly colloquial language, and his deliberate avoidance of impressive-sounding adjectives] are some of the traces of his early journalistic practices.Mark Twain早年還當過記者。所以,你又可以這樣寫。馬克吐溫如何形成他的寫作風格的?這和他的個人經驗有關,他敏銳的才智、尖銳的幽默、對生動口語的運用、對浮飾修詞的戒心,都帶着他早年記者生涯的痕跡。)

10.      The author’s style is related to his experience as a [doctor/singer-song writer/journalist]. 

當然,不是做八股文般死板地將字套入這些骨架(framework),你應能夠心領神會。

 
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